Production

Lost Worlds

Filmed in 4K to 6K – the production is committed to the highest technical and creative standards.


Production

The camera teams are led by Emmy nominated and BAFTA winning DOP Tim Cragg, shooting RED Weapon with Cookes and Angenieux lenses. A leading Natural History team is used to create the imagery of the epic tale of the past, both natural and historical.

The diving approach is led by Andy Byatt of Blue Planet renown along with underwater DOP Roberto Rinaldi, using the ROVs to shoot with a unique deep-water camera system delivering the 4K imagery from depths of up to 2 kilometres.

ROV SURVEYOR

The world’s fastest ROV glides at speeds up to 6 knots even at great depth, despite being tethered by an umbilical cable to the ship. Packed with an array of complex electronics including sonar, laser, cameras and lighting – this is a world class machine operated by a world class team. In year two she broke records for depth, speed and seabed coverage within a 12-hour period.

Crew

Tim Cragg

Tim is a BAFTA award-winning DoP with 25 years of experience making stunning Documentary Features (The Last Man on the Moon, The Amish, 35 Letters), television documentaries (Simon Schama’s Power of Art, Damien Hirst’s Relics), drama-documentaries (Paranormal Witness, The Pilgrims) and 5 3D documentaries with Sir David Attenborough


Roberto Rinaldi

Italian world class underwater cameraman of Cousteau fame, he is one of the leading exponents in both deep water rebreather diving and 3D underwater filming. Now he is both leading the camera diving teams and running the ROV film unit. He also makes the best coffee on the expedition.


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